Cooper Violins
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Making Madder Lake Pigment - Part 2
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Making Madder Lake part 1
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A varnish color experiment
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Final Shaping of the Bass Bar
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Gluing the Bar
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Positioning and Fitting the Bass Bar
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Bass Bar Part 2 - Rough Fitting the Bar
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Bass Bar part 1 - Thinning the bar
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Cut the F Hole Notches
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Final Hollowing
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Cutting the F holes
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More thinning before I cut the F holes.
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Cutting the eyes of the F holes
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Making Varnish for the violin
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Update on varnish samples
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Hollowing out part 1
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F holes part 2
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Talking about the F holes
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Talking about the top plate
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Removing waste wood between templates
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Final arching with templates
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Fluting C bouts
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Fluting upper and lower bouts
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Install the Purfling
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Showing some of the cutting of the purfling channel.
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The Purfling Cutter
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Purfling Corner Practice
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Fixing the Corner part 2
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Fix the corner
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Final arching part 3 - using templates.
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Final arching part 2, finger plane
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Final Arching part 1, Upper and Lower bouts.
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Flat Platform for purfling
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Remove some extra wood from the C bouts
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Sharpening Gouges
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Rough arching step 5, Finger Plane Smoothing.
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Rough arching part 4, the C bouts
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Rough Arching part 4, The Lower Bout
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Rough arching part 4 Upper Bout and some comments on edges a
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Tsubosan Japanese File Review
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Refine the shape of the corner for the violin top plate
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Rough arching part 4, Making the Long Arch.
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Rough arching part 3, The C bouts.
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Rough arching part 3, Upper and Lower Bouts
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Rough arching part 2
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Rough Arching of the violin top plate, Part 1
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Thinning the edges of the violin plate.
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Final filing to the outline and refining the corners.
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Drill pin holes for later alignment to the ribs.
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Violin top plate, coarse rasping the outline.
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